Werkplaats in de zilverfabriek van de firma Begeer by Anthon Gerhard Alexander van Rappard

Werkplaats in de zilverfabriek van de firma Begeer 1868 - 1892

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drawing, pencil, charcoal

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portrait

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drawing

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dutch-golden-age

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pencil sketch

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charcoal drawing

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pencil drawing

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pencil

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portrait drawing

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genre-painting

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charcoal

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realism

Dimensions: height 321 mm, width 558 mm

Copyright: Rijks Museum: Open Domain

Curator: What a study in focus this is! Here we have Anthon Gerhard Alexander van Rappard's "Werkplaats in de zilverfabriek van de firma Begeer," dating from 1868 to 1892. A snapshot of a silver factory workshop rendered in pencil and charcoal. Editor: My initial reaction is one of dimness. A serious quietness permeates the scene despite so many figures. It’s like a secret world, captured in muted tones. Curator: Indeed, van Rappard masterfully uses the contrast between light and shadow to create a kind of intimacy. Notice the window in the upper-left, letting in the only direct source of illumination. The light seems almost to be illuminating each face with the soft touch of consideration. It highlights the skilled hand work occurring at each workstation and draws our attention to their painstaking labor. Editor: Right, there is a rhythm there! You’re making me think about labor history...the role of art in documenting the Industrial Age, perhaps. Look how their heads are bowed, entirely engrossed by their craft. This workshop scene conveys both diligence and, dare I say, drudgery. Are they aware they’re part of history, being observed? Or are they simply intent on their tasks, under observation? Curator: The fact that Van Rappard choose this scene is of particular importance here. Van Rappard had social conscious. Considering this work with others of this period can shed a different light upon our interpretations of it. Editor: Do you think the rough texture contributes to that effect, making it feel less staged and more immediate? Curator: Absolutely. The immediacy that comes along with his artistic technique here seems to say, I was present at that moment. Almost journalistic. Editor: Well, whatever his intent, he immortalized them in a tangible manner, don't you think? Capturing more than their work but perhaps even their place in the larger societal fabric. Curator: In the simplest of strokes. I'm grateful for such insight. Editor: A truly thought-provoking study in labor and dedication. It leaves you pondering what their lives might have been beyond the frame.

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