Needlework 2004

Curator: This is "Needlework," a 2004 print by Hung Liu. Editor: There's such a raw, intimate feeling. The monochromatic palette softens what could be a harsh depiction of labor. The woman's downcast gaze conveys weariness but also focus. Curator: Hung Liu often drew upon historical photographs, particularly those depicting marginalized groups in China. She then layered these images with personal narratives and a feminist perspective. It is thought that this drawing reflects a historical portrait from her archives and her interest in feminine labor. Editor: That historical context is so important. It transforms the work from just an aesthetic exercise to a social statement. The act of needlework, often undervalued, is brought to the forefront and dignified. Is that a halo hovering? Curator: Likely a deliberate visual effect; watermarks. It is typical of her technique. Hung Liu referred to the drips in her art as representing a "weeping realism." She spoke of these weeping lines being symbolic of her wish to wash away the layers of historical memory. This way, the history may be seen for what it really was. Editor: The fluidity you mentioned adds another layer of complexity. It questions fixed representations and suggests a more dynamic understanding of history and identity. You see not just the woman, but perhaps generations of women, and histories of work, oppression, and strength. It resists simplifying her story. Curator: Exactly. This print really encapsulates Hung Liu's practice. I also consider this work within her broader oeuvre, highlighting the ongoing conversations about memory, identity, and the re-evaluation of marginalized histories. Editor: It is a compelling work of resilience that demands that we really see this woman, this person. The "weeping realism," to borrow Liu's words, leaves you reflecting. Curator: It truly makes us think about who gets remembered and how. Editor: Definitely food for thought. Thank you!