Portretten van Willem Key, Frans Floris en Pieter Aertsen 1764

Editor: This is "Portraits of Willem Key, Frans Floris, and Pieter Aertsen," an engraving from 1764 by Jan L'Admiral. It's quite striking; the three portraits are arranged almost like a collage, each with a very distinct character. What draws your eye when you look at this print? Curator: Immediately, I’m struck by the composition and its graphic nature. Note the calculated arrangement of the three portraits. They’re not simply placed side by side, but intersect and overlap, creating dynamic planes within the picture. Observe the linear quality—the sharp, precise lines that define the features. Do you see how the artist uses hatching and cross-hatching to create tonal variation? Editor: Yes, the cross-hatching really gives the faces depth and makes them seem almost three-dimensional, even though it's a flat print. But why this kind of fragmented presentation? Curator: Consider the relationship between representation and form. The artist seems less interested in creating a realistic depiction of each individual and more focused on the interplay of shapes, lines, and textures. Note how each plane that is created with these overlapping portraits allows a specific view of the sitter, making them come into focus individually. How would you say each presentation changes the perceived subject? Editor: That's fascinating. I guess I was so caught up in trying to recognize who these people were, I missed the careful consideration of lines and form. Curator: Precisely. The power of formalism lies in the close scrutiny of these elements; meaning emerges not just from subject matter, but from the very structure of the artwork itself. Have we missed any connections to other elements of baroque art? Editor: Well, I appreciate how looking at the engraving in terms of form and composition gives it a whole new layer of interest. It makes you think about the artist’s choices, not just the subject of the portrait. Curator: Indeed. A careful, close look opens new perspectives. This rigorous engagement offers a very close access to the construction and intent behind each individual piece.