Dimensions: image: 190 x 137 mm
Copyright: © The estate of Lionel Wendt, c/o Tom Peek Gallery | CC-BY-NC-ND 4.0 DEED, Photo: Tate
Editor: This photograph by Lionel Wendt, captured in silvery tones, shows a bouquet of flowers. There's a kind of subdued beauty to it. What draws your eye when you look at this piece? Curator: It's the way Wendt coaxes a drama from the mundane, wouldn't you agree? Those chrysanthemums, almost spectral, against the slightly surreal backdrop... it feels intensely personal, like a fleeting memory caught in monochrome. Do you sense that stillness too? Editor: I do, it’s quite striking. So, do you think Wendt chose flowers specifically for their symbolic value? Curator: Perhaps, or perhaps he was simply captivated by their ephemeral grace. Wendt's work often dances on the edge of symbolism and pure aesthetic appreciation. It's that ambiguity that I find so compelling. It's like he's whispering secrets, but leaving it up to us to decipher them. Editor: I can appreciate that. Thanks, that’s a really lovely insight. Curator: My pleasure. I will certainly look at flowers in a different way now.
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Wendt is considered one of Asia’s earliest modern photographers. He was born in Colombo, Sri Lanka (formerly Ceylon) to a prominent family. Travelling to Europe in 1919 to study law, he encountered experimental music, visual art and literature. He kept up-to-date with developments in European modern art – including surrealism – on his return to Colombo in 1924. But instead of reproducing modernist conventions in his photographs, Wendt used what he had gained in Europe to convey the richness of Sri Lankan contemporary life and traditions. Gallery label, October 2016