Exterieur van Église Saint-Germain-l'Auxerrois te Parijs by Johann Hürlimann

Exterieur van Église Saint-Germain-l'Auxerrois te Parijs before 1841

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print, etching, engraving, architecture

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print

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etching

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romanticism

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cityscape

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engraving

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architecture

Dimensions: height 167 mm, width 213 mm

Copyright: Rijks Museum: Open Domain

Editor: This print, titled "Exterieur van Église Saint-Germain-l'Auxerrois te Parijs" dates from before 1841 and is attributed to Johann Hürlimann. It appears to be an etching or engraving of a Parisian cityscape, portraying the church with very delicate lines. I’m struck by how it blends architectural precision with a soft, almost dreamlike atmosphere. What can you tell me about the historical context of such images? Curator: That “dreamlike atmosphere” is key. Consider the rise of Romanticism, which valued emotion and individual experience. Cityscapes, particularly of significant historical sites like this church – long associated with French royalty and pivotal in events like the St. Bartholomew's Day Massacre – became potent symbols. Prints like this circulated widely, shaping perceptions of Paris as both a historical monument and a stage for modern life. Think about how accessible imagery impacts a society's shared understanding of its cultural heritage. Editor: So, it’s not just a depiction of a building, but a carefully constructed representation contributing to a larger narrative? How would the average person consume or interact with an image like this in the 19th century? Curator: Precisely. This likely wasn’t hanging in someone’s home, but more commonly found in illustrated books or portfolios of architectural views aimed at an educated, often tourist, market. The engraving presents a meticulously rendered Saint-Germain, conveying the enduring power of both the church and by extension, Paris itself, appealing to a rising sense of national identity. This carefully managed visual promoted an elite ideal. Do you see a sense of drama? Editor: I do now, in the staging of light and shadow around the façade. It almost feels like the building is on display, which relates to what you said. So much intention. Curator: It encourages you to not only look, but to *interpret*, considering whose Paris is being presented, and to what end. That interplay between representation, access, and societal values continues to echo in today's world. Editor: That’s fascinating; I see the power of these seemingly simple cityscapes in a completely different light now! Thank you. Curator: My pleasure; and hopefully, that’s a power that you'll now carry into any work you encounter from this period onward.

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