Kinderen ziet hier met verblyden, dit schoone paarde volk ryden 1806 - 1830
print, engraving
narrative-art
dutch-golden-age
figuration
genre-painting
engraving
Dimensions: height 318 mm, width 409 mm
Copyright: Rijks Museum: Open Domain
Editor: So, here we have "Kinderen ziet hier met verblyden, dit schoone paarde volk ryden," an engraving by Johan Noman from the early 19th century, housed at the Rijksmuseum. What I find striking is the almost toy-like presentation of these figures on horseback; they feel suspended between reality and some kind of game. What's your take on it? Curator: It's fascinating how this image seems to freeze moments of performance, of mastery over both self and animal. Do you notice the recurring motif of the horse in profile, almost as a heraldic symbol? Each rider adopts a different pose, wielding various instruments - swords, trumpets, even what appears to be a drum. It makes me wonder about the rituals and traditions around equestrian display during that period. Editor: Absolutely, there's a theatrical quality to it. Given that it was made during the transition from the Dutch Golden Age into a new century, could the print be interpreted as a reflection on changing societal roles or even a commentary on military prowess? Curator: Perhaps. Or it may offer nostalgic imagery of those moments and virtues for a new generation. The imagery creates its own cultural continuity that gives new generations roots and models for living. Think of the visual language—the uniform dress, upright postures—it evokes ideals of order, control, and perhaps, even the social hierarchy of the time. Editor: That’s interesting. So the seemingly simple portrayal of riders becomes loaded with historical and cultural significance, conveying those values through symbolic representation. Curator: Precisely. And I would invite viewers to contemplate which aspects resonate most and how these enduring archetypes continue to shape our perception of power and status. Editor: I'm beginning to understand how seemingly straightforward imagery can act as a vessel for cultural memory, encoding messages that transcend the surface level. Curator: Indeed, seeing is never passive; it's always an active process of decoding symbols and connecting them to broader narratives.
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