Vélez Blanco III 1995

Soledad Sevilla made this painting, Vélez Blanco III, with what looks like oil on canvas, and it's a kind of triptych. The color palette is muted—earthy reds, browns, and grays that almost feel like a landscape fading into dusk. You can really see the texture, especially in the way the colors blend and bleed into each other. It's as if Sevilla is playing with light and shadow, pushing the boundaries of perception. Take a look at that hazy, undefined area where the colors meet. It's both soft and powerful, inviting you to lose yourself in its ambiguity. This piece reminds me of Rothko, but with a more grounded, earthy feel. Both artists understand how color can evoke emotions, but Sevilla's approach feels more tactile, more connected to the physical world. Ultimately, it's a conversation about how art can embrace uncertainty, inviting us to find our own meanings within the work.