Nederlandsche heldenscharen / Die bij hun beleid en moed, / Juistheid in beweging paren, / Ziet gij in deez' heldenstoet by Alexander Cranendoncq

Nederlandsche heldenscharen / Die bij hun beleid en moed, / Juistheid in beweging paren, / Ziet gij in deez' heldenstoet 1819 - 1840

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print, engraving

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neoclacissism

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print

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figuration

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history-painting

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engraving

Dimensions: height 326 mm, width 405 mm

Copyright: Rijks Museum: Open Domain

Editor: This is a print titled "Nederlandsche heldenscharen," dating from sometime between 1819 and 1840, and it's attributed to Alexander Cranendoncq. It looks like an engraving, depicting scenes of Dutch infantry and artillery. What do you make of its focus on military might and national pride in this period? Curator: It's a fascinating example of the Neoclassical impulse in post-Napoleonic Europe. Consider the societal role this print likely played. It’s a readily reproducible image, probably aimed at a middle-class audience, reinforcing national identity. What specific details do you think contribute to this nationalistic sentiment? Editor: Well, the soldiers are presented in a very ordered fashion. Almost idealized. The captions also explicitly talk about Dutch heroism, and "precision in movement." Is this idealization typical of Neoclassical art connected to political or social agendas? Curator: Precisely. Neoclassicism was often employed by emerging nation-states to create a visual language of order, strength, and civic virtue, thus legitimizing the state and its power. Think about how the formal arrangement, the controlled lines, and the emphasis on duty here serve that purpose. Also, who consumes images like these and where? Editor: Perhaps they were sold in bookshops or maybe even displayed in public spaces, so that everyone could take pride in their nation and military strength? Curator: Exactly! By understanding the social and political landscape in which this print was produced and circulated, we can gain a richer understanding of its meaning. This isn’t just about aesthetics; it's about nation-building. Editor: That really contextualizes the image for me. It’s not just a depiction of soldiers; it's an instrument of political messaging through popular media! I will never look at Neoclassical prints the same way! Curator: Glad to have opened up that lens for you, sometimes objects reveal unexpected facets when viewed with these ideas in mind!

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