Quarante Huit Quai d’Auteuil 1935

Curator: Winifred Nicholson's "Quarante Huit Quai d’Auteuil" presents us with a fascinating interplay of geometric forms. Editor: It's deceptively simple, isn't it? A sort of quiet, meditative arrangement. Those soft colors feel very calming. Curator: Nicholson worked with the avant-garde, and you can see it here: she engages with the visual language of abstraction that gained traction in the early 20th century. The title references a Parisian address, hinting at place. Editor: The circles and squares evoke a sense of wholeness and containment, like mandalas perhaps, but the geometric precision interrupts any straightforward interpretation. Curator: Nicholson was deeply engaged in spiritualism and theosophy, seeking to find harmonies between the visible and invisible worlds. The sparseness reflects those interests. Editor: And notice the subtle layering of shapes and colors, creating depth and luminosity. It almost feels like a window onto another dimension. Curator: Nicholson's work is a testament to her exploration of form and color, filtered through the lens of modern life and spiritual seeking. Editor: Indeed. A beautiful reminder that simplicity can often hold the most profound truths.