The Nativity 1492
domenicoghirlandaio
Fitzwilliam Museum (University of Cambridge), Cambridge, UK
tempera, painting, oil-paint, fresco
portrait
narrative-art
tempera
painting
oil-paint
figuration
fresco
oil painting
jesus-christ
child
christianity
genre-painting
history-painting
academic-art
italian-renaissance
early-renaissance
virgin-mary
miniature
christ
Dimensions: 85 x 63 cm
Copyright: Public domain
Domenico Ghirlandaio painted this ‘Nativity’ on panel, its exact date unknown. Here, the newborn Christ lays vulnerably on the ground, adored by Mary and Joseph, while the ox and donkey are a common motif symbolizing the gentiles and Jews. Now, let's delve into the gesture of Mary’s praying hands, echoed in countless images throughout history. Consider the ancient Roman gesture of prayer. In early Christian art, the "orant" posture was common, with arms outstretched. Over time, as Christian iconography evolved, the folded hands came to signify humility and reverence. Psychologically, this gesture speaks to a universal desire for supplication, a reaching out to the divine. It is a potent symbol, engaging viewers on a deeply subconscious level. This very gesture, with its roots in antiquity, reappears time and again, perpetually evolving and renewing itself.
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