Ali Masjíd fort from the Khyber Pass by Frederick Saint John Gore

Ali Masjíd fort from the Khyber Pass before 1895

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print, photography, albumen-print

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print

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landscape

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photography

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coloured pencil

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mountain

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albumen-print

Dimensions: height 118 mm, width 170 mm

Copyright: Rijks Museum: Open Domain

Curator: Well, isn't this image something? What strikes you first about this albumen print, “Ali Masjid Fort from the Khyber Pass,” created by Frederick Saint John Gore sometime before 1895? Editor: My eye goes right to the landscape itself – craggy, vast, and seemingly inhospitable. It’s imposing. Makes you feel small, doesn’t it? Like a forgotten stage from an ancient myth. Curator: It does. It reminds us, perhaps, of the formidable challenges presented by such a landscape and the strategic importance of locations such as the Khyber Pass. Editor: Oh, without a doubt. The fort is almost subsumed into the geology; architecture and earth seem like one organism. Tell me, what sort of statement does this blend of nature and architecture seem to make? Curator: That’s a thoughtful question. The symbiosis speaks to a deep-rooted human need to assert dominance, while at the same time acknowledging our relative insignificance against geological time. It’s a power play, but tinged with humility. The structure seeks protection in—and, indeed, mimics—the existing form, rather than trying to fight it. Think of the fort as a human attempt to etch their ambition into something immortal. Editor: That makes sense. The pass has surely been a crucial military and trade artery, pregnant with stories. Seeing it presented so starkly... it's as though the photographer sought to distil something timeless about the region and its custodians. Curator: Precisely. An albumen print was a perfect method for preserving minute detail, offering both intimacy and the sort of objective truth that could make this more than merely sentimental. Look closer: feel you could climb right into the photograph. I guess the image resonates even now, reflecting perhaps how we look back upon empire. Editor: Hmmm. Well, all these visual and symbolic echoes help this quiet print sing. It hints at power, struggle, and ultimately the indifference of time. Curator: Indeed. Maybe indifference isn't the right word... resilience. Nature always has the last laugh.

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