Ilgich late 19th-early 20th century

This Ilgich was made in Dasht-i-Kipchak. Though undated, we can study the iconography of the piece to give insight into the time and culture it was created. This textile illustrates the persistent tension between the individual and the collective. Geometric patterns, especially diamonds, are stacked on top of each other and along the borders in a way that speaks to community and history. At the same time, each diamond contains its own unique color combination and design. This tension highlights the importance of the individual as part of the social fabric. We can look to the historical and geographical context of Dasht-i-Kipchak culture to understand the importance of this tension. With further research, we can better understand the social conditions that shaped the artistic production of this Ilgich. The meaning of art is contingent on social and institutional context.