drawing, paper, ink, pen
drawing
comic strip sketch
pen sketch
hand drawn type
paper
personal sketchbook
ink
ink drawing experimentation
pen-ink sketch
pen work
sketchbook drawing
pen
storyboard and sketchbook work
sketchbook art
calligraphy
Copyright: Rijks Museum: Open Domain
Curator: Let's consider Eduard Karsen's "Briefkaart aan Philip Zilcken," possibly from 1891. At first glance, it may appear to be a simple, antique postcard, but let’s dive deeper. Editor: It definitely has a historical feel, the handwriting and stamps give it character. What stands out to you the most about it? Curator: Well, a postcard is, on the surface, a mundane item, yet it served as a crucial tool of communication, especially during a period when social mobility and literacy rates were undergoing rapid transformation. This challenges us to think about who had access to communication and how these seemingly minor objects contribute to constructing notions of citizenship and belonging. Editor: That's interesting. I hadn’t thought about the social implications of something as simple as a postcard. Curator: Exactly! It’s not just about the message, but the access to the infrastructure of communication. Think about whose stories are usually centered and whose are marginalized. Whose voices were amplified and whose were silenced? Editor: So, you’re saying that even something as small as a postcard can reflect the power dynamics of the time? Curator: Precisely! Karsen's postcard becomes a mirror reflecting the social stratification and accessibility to basic utilities. By examining such everyday artifacts through an intersectional lens, we gain deeper insights into the complexities of historical power structures and narratives. Editor: That's a really eye-opening way to interpret it. I'll definitely look at things differently now. Curator: That's the goal – to keep questioning, keep digging, and always consider whose voices are present and whose are absent.
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