Insertions into Ideological Circuits 2: Banknote Project by Cildo Meireles

Insertions into Ideological Circuits 2: Banknote Project 1970

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Copyright: © Cildo Meireles | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Editor: Here we have Cildo Meireles' "Insertions into Ideological Circuits 2: Banknote Project." It looks like a Brazilian banknote stamped with a question in red ink. What can you tell me about this intervention? Curator: Meireles strategically utilizes the currency system – a tool of economic and social control – to circulate critical messages. His act of stamping "Quem Matou Herzog?" – "Who killed Herzog?" – onto banknotes transforms them into vehicles of political dissent, questioning the state's authority and demanding accountability for the death of journalist Vladimir Herzog under the military dictatorship. Editor: So, it's about turning money into a message against oppression? Curator: Precisely. Meireles' action highlights how even seemingly neutral systems like currency can be subverted to challenge power structures and amplify marginalized voices. Editor: That's a powerful way to make a statement. Curator: Indeed. It forces us to consider how art can function as a form of activism, operating within and disrupting existing societal frameworks.

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tate 5 months ago

http://www.tate.org.uk/art/artworks/meireles-insertions-into-ideological-circuits-2-banknote-project-t12526

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tate 5 months ago

Meireles started this project during the military dictatorship in Brazil. In the face of strict state censorship he stamped messages calling for democracy and political freedom on banknotes and returned them into circulation. This work relates The Coca-Cola Project. The artist is happy for others to participate in this project, stamping their own messages on the banknotes of any country. For Meireles, the notes displayed here are only documentation. The work operates when the notes are used as currency. Gallery label, August 2020