weaving, textile
asian-art
weaving
textile
geometric
decorative-art
Dimensions: 183 × 63.5 cm (72 × 25 in.)
Copyright: Public Domain
Editor: Here we have what is thought to be a shoulder cloth by the Komering people, dating back to the 19th century. It’s a woven textile, and it’s immediately striking because of its symmetry, and bold geometric patterns. What's most compelling about the Shoulder Cloth from your perspective? Curator: Indeed, the power of this textile resides within its rigorous formal structure. Note the interplay of geometric forms, primarily triangles, arranged in a bilateral symmetry that is immediately legible. These shapes generate a visual rhythm and delineate three distinct registers on the cloth. We also can examine the composition. What's the impact of color and space here? Editor: I'd say that the interplay between the indigo and maroon hues creates a sense of depth and contrasts. The lighter hues create vertical lines between the top and the bottom while highlighting shapes, further enhancing the geometrical components. I also like the negative space that's surrounding the forms; the horizontal stripes adding to the work's pattern. Curator: Precisely. The strategic implementation of line directs the gaze both inwards and outwards, further elaborating upon the geometric scheme. Let us consider, though: How would altering a single one of those aforementioned compositional devices modify the visual impression of this piece? Editor: If the symmetry was off even slightly, or if different colors were used, it wouldn't carry such an imposing weight. What does this piece tell you about the art of weaving in the region and the patterns it embraces? Curator: Formally, we see adherence to pattern, the interplay of positive and negative space. It presents a refined deployment of repetition. The cloth shows intentional placement, which emphasizes a dedication to a rigid set of formal choices. Editor: I appreciate you sharing a new way for me to look at this work! Considering those elements that make the visual what it is, instead of a cultural context. Curator: Yes, paying attention to its internal characteristics helps one better observe a work’s presence.
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