Schoenleest voor rechterschoen c. 1590 - 1596

Curator: Standing before us is an intriguing object known as "Shoe Last for a Right Shoe," dating from around 1590-1596. The anonymous artist masterfully carved this piece from wood. Editor: It looks like something unearthed from an archeological dig. Ancient and, frankly, kind of melancholy. The wood is riddled with holes; it speaks of time and wear and things forgotten. Curator: Indeed. Notice the precise carving. Though weathered, you can still discern the shape of a right shoe—the subtle curve of the instep and the elongated form. The tool marks reveal the artist’s deliberate craftsmanship. Editor: But that wear and tear—those holes! It's beautiful decay. Almost as if time itself sculpted the piece. Does it mimic the life it once helped to shape? Were judge's shoes meant to walk in difficult paths? Curator: Precisely. The imperfections lend it an almost surreal quality. It allows the wood to breathe. The materiality contrasts sharply with the symbolic purpose of a shoe last - form-giving and rigidity, juxtaposed with decay. Editor: Form vs decay. I think that is a pretty sharp contrast and perhaps a metaphor for the law itself - meant to be solid and unmoving but open to interpretation over time? Or, I’m reading too much into a mold for a shoe, right? Curator: Perhaps, but valid nonetheless! Your insight illustrates how this object transcends mere utility. Its inherent properties create depth, allowing the viewer to bring new meaning to its story. Editor: Ultimately, it speaks to how the remnants of ordinary objects can unexpectedly take on new poetic life when lifted from anonymity. Like old ghosts that were forgotten by the living! Curator: A beautiful summary! Hopefully, these ghosts will live longer due to the care we grant these objects here at the Rijksmuseum. Editor: Well said. Here’s to preserving forgotten objects. Cheers!