The Reader (Seated Young Woman) 1887

Editor: Here we have Renoir’s "The Reader (Seated Young Woman)," painted in 1887. The oil paint creates this wonderfully soft texture. I’m really struck by how intimate and quiet it feels, like we've stumbled upon a private moment. What draws your eye in this piece? Curator: Oh, the light, definitely the light! It dances across her face, that rosy hue Renoir was so fond of. He wasn't just painting a woman reading; he was capturing a feeling, a mood. Tell me, what do you think she's reading? A romance, perhaps? Or something more serious? Editor: I hadn’t thought about the story within the story. Maybe it’s a letter? That would explain the intensity. Why do you think he chose such a subdued palette, keeping most of it greens and whites? Curator: Ah, the greens are quintessential Renoir! They weren't just background, but another layer to the story. And those whites, they pop and give it depth. The impressionists aimed to record what they saw and not necessarily make it realistic or literal. It’s interesting isn’t it how we still strive for accuracy? Editor: It is! I hadn't considered that relationship with light as being integral to his storytelling either. Curator: You know, Renoir makes us feel something visceral, and personal. Almost like we've met this woman or experienced what she has gone through personally, which is an act of painting magic in my view. Editor: It really is! I'll never look at Renoir the same way now, thank you. Curator: And I'll never forget this young lady who is so very keen on whatever book is being offered up to us at that time! What an extraordinary piece.