Kippetjes voeren by Stoomsteendrukkerij Senefelder

Kippetjes voeren 1903 - 1920

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drawing, print, paper, ink

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portrait

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drawing

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print

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landscape

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paper

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ink

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genre-painting

Dimensions: height 269 mm, width 163 mm

Copyright: Rijks Museum: Open Domain

Editor: Here we have a print called "Kippetjes voeren," which I believe translates to "Feeding Chickens," dating from 1903 to 1920, created by Stoomsteendrukkerij Senefelder. It seems to be ink on paper, a lithograph maybe. It has a tranquil feel, very pastoral. What do you see in this piece, especially considering its materials? Curator: I’m immediately drawn to the industrial context in which this idyllic scene was produced. Stoomsteendrukkerij Senefelder was a commercial printing house. This work sits interestingly between high art and the means of mass production. The very act of reproducing a "genre scene" like this one transforms it. Consider the labor involved: from the initial drawing, to the lithographic process, the labour in the factory, and finally distribution. Editor: So, you’re saying that the scene of a girl feeding chickens, which appears quite simple, becomes complex when you consider the labour required to produce and distribute the image? Curator: Precisely. Look at the paper, the ink. These aren't neutral materials; they were commodities, produced through specific social and economic structures. It challenges the romantic notion of the artist as a lone genius. The question becomes, what was the intended market, the point of this image’s circulation? What needs, what consumer desires were being met by a printing house willing to deploy the machinery and skills for its production? This is where art history merges with social history. Editor: That's a fascinating way to look at it, shifting the focus from the artistic expression to the means of production and the targeted audience. It completely changes my perception. Curator: Indeed. It reveals the often invisible networks of labor, materials, and consumption that underpin our experience of art. Editor: Thanks for sharing these thoughts, I have really expanded my understanding of printmaking’s material impact. Curator: And it's a reminder that even seemingly simple images are products of complex social and economic systems.

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