Bowl c. 1928

Editor: Here we have a bowl of unknown date by Marianne Brandt at the Harvard Art Museums. The iridescent surface is just gorgeous. What do you see in this piece? Curator: I am struck by the interplay between the bowl's simple, almost austere form and the complex, shimmering surface treatment. The form adheres to geometric purity, while the patina introduces an element of chance and the organic. Notice how the light catches the rim? Editor: Yes, it almost looks like watercolors blending on the metal. So, the form contrasts with the surface? Curator: Precisely. Brandt uses this tension to create a dynamic visual experience. It’s a negotiation between industrial design and the subtle irregularities of craftsmanship. Editor: I never would have noticed those contrasts without your insight. Thanks! Curator: My pleasure. Close looking reveals a rich visual language.