Ransuil op kale boomtak 1900 - 1930

Ohara Koson made this woodblock print of an owl on a bare branch in the early 20th century. It’s the kind of image that feels both incredibly precise and totally dreamy. Look closely, and you'll notice how the grey ink creates a layered effect, almost like watercolor washes. This gives a misty, atmospheric quality to the whole scene, and the way the owl's feathers are rendered with such detail, each one distinct, really draws you in. The texture of the paper itself adds to the experience. I am especially drawn to the contrast between the dark, solid branch and the soft glow of the crescent moon. The owl's gaze is so intense, it's like it sees right through you, but at the same time, there’s a gentle quality to the print. It reminds me a little of Hiroshige, but with a more intimate, almost haunting feel. It’s a piece that stays with you.