Dorette 1932

Gerald Leslie Brockhurst created this etching, "Dorette," using a copper plate and acid. Consider how Brockhurst coaxed so much nuance from the etching process. Every line and tone is the result of careful labor, biting the plate to just the right depth, and printing with precision. Look closely, and you'll notice the incredible detail in Dorette's face, the soft textures of her clothing, and the atmospheric landscape behind her. Etching has always been associated with the democratization of art because it allows for the creation of multiples, making images accessible to a wider audience. Here, Brockhurst harnesses that potential, combining technical skill with a keen eye for capturing the human form. "Dorette" bridges the gap between fine art and craft, inviting us to appreciate the artistry inherent in printmaking. The artist leaves a lasting impression through his labor.