Dimensions: height 118 mm, width 88 mm
Copyright: Rijks Museum: Open Domain
Curator: Here we have Lucas van Leyden's engraving, "St Luke the Evangelist," created sometime between 1506 and 1510. You can find it here in the Rijksmuseum. What catches your eye about this image? Editor: Immediately, I'm struck by the ox! I mean, he seems less like a divine attribute and more like a very patient pet. The whole scene feels so domestic, yet steeped in the Northern Renaissance. Curator: Indeed. St. Luke's traditional attribute, the ox, takes on a docile pose here, symbolizing sacrifice and service, integral themes in Luke's Gospel. The placement is so interesting though: he isn’t above or beyond the natural world. Editor: Right! More like nestled *into* it. See how that lantern hanging from the branch blends with the rural scenery? It whispers of wisdom sought not in cathedrals, but in the quiet of nature, that also speaks a visual language. Curator: Precisely! Luke is shown in the act of writing, suggesting both the creation of scripture and the thoughtful process of recording history and tradition, that are not only Christian. Consider how cultural narratives were spread by oral tradition too. Editor: He's such a solemn dude, isn't he? Lost in his writing but looking super comfy despite perching on a giant ox and sitting outside. He also seems like a really approachable holy figure too, you know? Like, one you could have a coffee with. Curator: He does, and this approachable aspect resonates with the broader humanist currents of the Renaissance, where figures are portrayed with more relatable human qualities and as more psychologically realistic. The composition also directs our eyes to follow him working. Editor: And I adore that detail of another open book just tossed casually onto the ground, as though deep thought, both physical and mental, is active, alive, and well here. What I appreciate most about this print, and this particular composition, is that it presents itself so elegantly in all its fine-lined, old-world glory. Curator: For me, it's the layers of meaning embedded within its visual language that remain so compelling. This really epitomizes visual symbol interpretation at work. Editor: Absolutely, this intimate moment feels like an opening into a world of profound dedication, which still deeply inspires.
Lucas van Leyden is thought to have taught himself the complex art of engraving in copper through ceaseless practice and experimentation. In this early print, St Luke the Evangelist has made himself comfortable on the back of the animal that invariably accompanies him, a bull. Imperturbable, Luke continues writing his Gospel. His inkpot hangs from the branch of a tree.
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