Bracelet 1873 - 1883

Editor: So this is a gold bracelet, crafted sometime between 1873 and 1883 by Tiffany & Co. The two lion heads facing one another make a bold statement, yet there’s also a classical, almost ancient, simplicity to the design. What do you see in this piece, especially regarding its potential commentary on power or status? Curator: That's a great initial observation! Consider how the choice of gold as a material operates here. Gold is rarely neutral; historically, it's coded with power, wealth, and even divine status across many cultures. Tiffany & Co. invoking this symbolism positions its wearers within a narrative of elite identity. How might we see these lion heads operating beyond simple ornamentation? Editor: I see what you mean. The lions, symbols of strength and authority, combined with the gold, create an aura of almost aggressive luxury. It's interesting how a piece of jewelry can convey so much about the wearer’s desired image. Is Tiffany deliberately playing with historical notions of class and dominance? Curator: Precisely! By appropriating classical motifs and merging them with a modern, capitalist enterprise, Tiffany both acknowledges and subverts those histories. Consider, too, who would have been able to afford such a piece in the late 19th century. The bracelet becomes a signifier, participating in the construction and performance of gendered and classed identities. What kind of power dynamics do you think were at play? Editor: It almost seems like a wearable claim of dominance, particularly within the social hierarchies of the time. It is so interesting to see the layers of meaning packed into what appears at first glance to be a beautiful piece of jewelry. I never thought about jewellery having such symbolism! Curator: Exactly! These objects aren't just beautiful; they are active participants in larger socio-political conversations. Editor: This really reframed my perspective on how to read art objects! Thanks.