Design for a frontispiece_ Allegory of the City of Amsterdam Enthroned, Surrounded by Allegorical Figures c. 1767

Editor: This is Cornelis Ploos van Amstel’s "Design for a frontispiece: Allegory of the City of Amsterdam Enthroned, Surrounded by Allegorical Figures," made around 1767, using ink and chalk. I’m really struck by the number of figures here, all rendered in such dynamic poses, with such detail considering they’re just drawings. What jumps out at you when you see this? Curator: I'm immediately drawn to the process and materials. Look at how van Amstel uses ink and chalk, traditional materials, to create what was essentially a commercial design. How does the choice of these relatively inexpensive and readily available materials influence the perceived value of the artwork, especially given its allegorical subject matter? It blurs the lines between fine art and craft. Editor: That's a great point! It's almost like he's elevating everyday materials to depict something grand and symbolic. Does that connect at all to who would have consumed a work like this, back in the day? Curator: Absolutely. Amsterdam was a major hub of trade. Consider this frontispiece's function. It was likely intended for a book. The book itself, the paper, the ink, everything manufactured. These items represent a consumer good but how do these contribute to the overall message of the city’s glory. Was it meant to be available only for the wealthy elite? Editor: So the very materials used and the book's circulation speak to Amsterdam’s economic landscape. The frontispiece serves as propaganda! Curator: Exactly. How does van Amstel’s allegorical depiction connect with the reality of the labour and trade that sustained Amsterdam? Editor: Wow, I hadn’t considered that this drawing could reveal so much about the economic and social context of its time. Thank you! Curator: And thank you! Analyzing the materials always offers new perspectives on even the most traditional artwork.