Plate 41, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands by Allen & Ginter

Plate 41, from the Fans of the Period series (N7) for Allen & Ginter Cigarettes Brands 1889

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drawing, coloured-pencil, print

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portrait

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drawing

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art-nouveau

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coloured-pencil

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print

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caricature

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coloured pencil

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coffee painting

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19th century

Dimensions: Sheet: 2 3/4 x 1 1/2 in. (7 x 3.8 cm)

Copyright: Public Domain

Curator: At first glance, I see elegance… but it's packaged so commercially! Editor: Exactly! What you're seeing is Plate 41, from the "Fans of the Period" series, a piece crafted around 1889 for Allen & Ginter Cigarettes. It resides today in the Metropolitan Museum of Art. Think of it as a tiny window into the late 19th century, distributed with cigarette packs. Curator: It’s surprisingly well-executed, considering its origins. The artist uses coloured pencil to render a stylish woman with great attention to the planes of her face. Note how the curves in her hair and the folding of the fans create parallel, sinuous forms. The composition relies on artful repetition. Editor: And what's fascinating is how these cards offered a carefully constructed image of femininity. Consider how such a collectable traded on aspiration, shaping societal ideals about beauty and consumerism. These images normalized a particular lifestyle, directly linking it to the consumption of Allen & Ginter’s cigarettes. Curator: You are right; look at her refined gloves. Yet there's an inherent tension: a high-art aesthetic used to promote… cigarettes. Also, it uses flattened perspective. The composition lacks depth, which aligns it more closely with commercial design principles of graphic design. Editor: That tension is at the core of understanding late 19th-century art and advertising. This card bridges the gap between fine art portraiture and burgeoning consumer culture. In some ways, by making these art cards so readily available, cigarette companies democratized access to art. Curator: An intriguing, if manipulative, form of democratization. By inviting viewers to assess how form carries content and meaning, we find even such seeming trifles provide endless substance for our contemplation. Editor: I agree. Analyzing such material reminds us how deeply intertwined commerce and culture have always been, revealing the subtle ways industries participate in shaping social values and identities.

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