print, linocut, woodcut
ink drawing
linocut
figuration
linocut print
expressionism
woodcut
history-painting
Dimensions: 11 7/8 x 20 7/8 in. (30.16 x 53.02 cm) (image)18 7/8 x 25 7/8 in. (47.94 x 65.72 cm) (sheet)
Copyright: No Copyright - United States
Käthe Kollwitz made this stark black and white woodcut print, The Widow II, using the forceful cutting of her tools to create a scene of sorrow and despair. I can imagine Kollwitz working on the block of wood, digging into it, wrestling with the material to bring forth the image she had in her mind's eye. It's a medium that demands a lot of the artist, physically and emotionally. And I’m wondering, what was it like to carve away at the wood, each cut a deliberate act of shaping grief and loss? The black ink becomes this heavy blanket, smothering everything, while the stark white of the figures emerges, like a scream in the dark. Looking at this print, I can see the influence of artists like Munch, whose raw emotional expression paved the way for Kollwitz. These artists are speaking to each other across time and space. Their conversation about life's most difficult experiences is ongoing. They made it, and now we respond, adding our voices to the mix.
Comments
Käthe Kollwitz is remembered for her haunting scenes of suffering, especially the tragic consequences of poverty and disease among women and children. She was anti-war, anti-violence, and ultimately a believer in the triumph of the human spirit, and she skillfully used the graphic arts—prints, illustrations, posters—to promote her left-leaning social agenda. In her print cycle Krieg (War), Kollwitz exploited the woodcut’s stark graphic power to illustrate war’s tragic effect on wives, parents, and children left behind. Tied to no specific time or place, the heartrending images are both universal admonishments against war and personal memories of loss—her son Peter died in battle in 1914, two months after joining the German Army.
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