Sans doute M. Riflot le droit... by Honoré Daumier

Sans doute M. Riflot le droit... 1839

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drawing, lithograph, print

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portrait

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drawing

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lithograph

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print

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caricature

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pencil sketch

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figuration

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romanticism

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genre-painting

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history-painting

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realism

Dimensions: sheet: 34.3 x 25.8 cm (13 1/2 x 10 3/16 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Look at this lithograph, "Sans doute M. Riflot le droit...", created in 1839 by Honoré Daumier. It's a fascinating glimpse into 19th-century French society. Editor: My immediate reaction is… cynical humor. The elongated faces and almost grotesque features are striking, almost confrontational. I’m also intrigued by the dynamic hatching; look how it defines volume and texture. Curator: Precisely! Daumier was a master of social commentary. This piece, part of his series "La journée du célibataire," is a commentary on bachelorhood. Consider the sociopolitical backdrop: the July Monarchy was rife with debates on societal roles and class structures. Daumier used caricature to critique the bourgeoisie and their values. Editor: I notice that. The exaggeration creates distance; we are meant to observe critically, not empathize. The three men are similarly dressed, yet each is distinctly grotesque, united in… unpleasantness. Look at their strange interaction—what do you read there? Curator: The title itself is key; “Doubtless, Mr. Riflot, the right of petition is sacred...” is what's inscribed under the image. He's satirizing the discussions around petitions and the rights of unmarried men, painting them as almost parodic figures within society. They're holding some kind of decree or document. What power that conferred, in that setting, it’s hard to see, judging from Daumier’s interpretation. Editor: And beneath them are two stray dogs, looking emaciated. Interesting that he places them there, at a kind of lower level in the image; it amplifies the cynical air. One sees such clear manipulation of line and form in these prints; Daumier creates not only satire, but such clear hierarchy with formal methods! Curator: Absolutely, he cleverly uses art as a mirror, reflecting society's own biases and prejudices. It really captures the undercurrents of social tensions present at the time. Editor: Looking at this again, the balance between social criticism and formal elegance is incredible. Thank you.

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