Light As A Feather Strong As Stone by Camilla d'Errico

2021

Light As A Feather Strong As Stone

Listen to curator's interpretation

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Curatorial notes

Editor: This is Camilla d'Errico’s "Light As A Feather Strong As Stone" from 2021, painted in acrylics. It has a dreamlike quality with the central figure appearing with a Pegasus on her head, with piercing eyes and surreal atmosphere. What historical context informs a piece like this? Curator: It’s interesting that you call it dreamlike. D'Errico’s work participates in a lineage of pop-surrealism that gained traction in galleries in the late 90s, heavily influenced by Japanese pop art, but with a definite appeal to a subcultural audience, one interested in mythology and fantasy. How do you see the cultural influences working within it? Editor: I see some manga influences for sure with the large eyes, and that fantastical aspect as well. Are you saying the rise of galleries showing art like this represents something about how art institutions evolved? Curator: Precisely. The mainstream art world didn't always embrace these aesthetics. This piece speaks to the increasing porosity of institutional boundaries, making room for diverse voices and aesthetics, in line with globalization and changing cultural tastes. To whom do you think it speaks most profoundly? Editor: I imagine it has a particular resonance with younger audiences who have grown up online, exposed to manga, anime, and digital art, it also blends many cultural heritages into one vision. But also speaks to some of our human relationship to nature and its creatures. It seems really current and relevant. Curator: Exactly! Its strength lies in its accessibility. The image circulates and is shared very widely because it's evocative and emotionally resonant while also participating in a global visual language. Its popularity forces us to re-evaluate what art can and should be in the 21st century. Editor: That's really interesting. I hadn't considered the political dimensions of showing art that draws from so many popular and global sources. Curator: The politics are subtle, but always there, informing the value judgments we make about art and its role in reflecting and shaping culture.