drawing, ink
drawing
baroque
etching
figuration
ink
ink drawing experimentation
history-painting
Dimensions: 240 mm (height) x 149 mm (width) (bladmaal)
Agostino Masucci rendered this drawing of the canonisation of St Ignatius of Loyola in brown ink. At the heart of this image is the Pope, depicted with the papal tiara, a potent symbol of spiritual and temporal authority. This headdress, with its origins in ancient traditions, echoes the power vested in religious figures across cultures and epochs. Observe how the act of kneeling, performed here by figures before the Pope, transcends its immediate religious context. We find echoes of this gesture in ancient Egyptian depictions of pharaohs receiving homage, or in the prostrations before emperors of Rome. This act, deeply embedded in our collective consciousness, signifies submission, reverence, and the acknowledgement of higher power. The cyclical journey of these symbols reveals the human desire to establish order, and to articulate our place within the cosmos. These gestures and emblems persist, and their meanings continue to be reshaped, proving the enduring power of the human spirit to find meaning in the visual world.
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