Herovering van Schonen, ter ere van Karel XI van Zweden 1676

Editor: Here we have "Herovering van Schonen, ter ere van Karel XI van Zweden," or "The Recapture of Scania, in Honor of Charles XI of Sweden," made in 1676 by Arvid Karlsteen. It looks like a silver or metal relief sculpture. The portraits, figures, and lettering have such crisp detail! What strikes me most is how one side is dedicated to a regal portrait, while the other depicts a more dynamic scene of victory. What do you make of the juxtaposition of these images? Curator: It's fascinating how medals, like this one, compress complex political narratives into portable, easily reproducible forms. The portrait, stiff and idealized, presents the persona the monarchy wants to project, but that victory scene... Note how the conquering hero is also in classical garb, presented as the archetype of military strength and righteousness. The kneeling figure is potent too— what do they evoke? Submission? Or perhaps, hope for mercy? Editor: Possibly both. It's interesting that they use a visual language that links the Swedish king to classical heroes, while simultaneously reminding viewers of his power over them. Do you think the inscriptions play a role in this too? Curator: Absolutely! Inscriptions function like labels, guiding the interpretation of the imagery. "REDEO.VET.ERES AVCTURA.TRIVMPHOS” - "I return to increase ancient triumphs". It bridges the gap between the classical ideal of leadership and the current political moment. It asserts that Charles is not just victorious but also the rightful inheritor of past glories and protector of tradition. Do you see this kind of cultural memory in other works as well? Editor: Now that you point it out, yes, absolutely. It really makes you wonder how the images we see today will be interpreted in the future. Thanks! Curator: And I’m left contemplating what cultural inheritance these images represent for Sweden. Another victory, another story for the archive!