Irv's Chicago by Richard Gordon

Irv's Chicago Possibly 1973 - 1994

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photography

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portrait

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black and white photography

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street-photography

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photography

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black and white

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monochrome photography

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cityscape

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monochrome

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realism

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monochrome

Dimensions: image: 19.05 × 29.21 cm (7 1/2 × 11 1/2 in.) sheet: 27.94 × 35.56 cm (11 × 14 in.)

Copyright: National Gallery of Art: CC0 1.0

Editor: Here we have Richard Gordon's photograph, "Irv's Chicago," dating somewhere between 1973 and 1994. It's a black and white shot of what looks like a storefront, with a classic barber pole out front. I'm immediately struck by the contrast between the crisp pole and the almost dilapidated storefront window covered in…bodybuilding pictures? What am I even looking at, and what do you see in this piece? Curator: Oh, this one tickles my fancy! You've got that quintessential Americana barber pole – a symbol of community, right? Juxtapose that with this window practically wallpapered with images of sculpted physiques. There’s an obvious question in there about body image in American culture that hits you like a shot of cheap whiskey, doesn’t it? Gordon really understood the art of visual storytelling. Does this contrast spark any immediate ideas? Editor: I think so! It’s sort of funny at first, like a visual gag, but then you think about the aspirations embedded in both images - the grooming and self-presentation from the barbershop, versus the idealized male body…it gets deeper the longer I look. Is this a commentary on masculinity maybe? Curator: Precisely! Gordon often captured these fleeting, seemingly mundane moments that expose much larger social truths. It feels almost intrusive, catching these public yet incredibly intimate displays, wouldn’t you agree? The light, the way the images are haphazardly plastered… It’s perfectly imperfect. Editor: Absolutely. There's a certain intimacy despite it being a street photograph, public and raw. I hadn't considered that this wasn't a staged scene, which gives it a very different feeling, and makes it much more powerful. Curator: Exactly. It leaves you lingering between observation and feeling like a complete voyeur. This photograph really encapsulates Chicago life, full of humor, hope, and maybe just a tiny bit of absurdity, don’t you think? Editor: It certainly does, I'll never look at a barbershop the same way again. Thanks for the insight!

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