drawing, paper
script typeface
drawing
script typography
hand-lettering
old engraving style
hand drawn type
feminine typography
hand lettering
paper
hand-drawn typeface
thick font
handwritten font
calligraphy
Copyright: Rijks Museum: Open Domain
This calling card was made by Gustave Bourcard for Philip Zilcken. The paper is thin and light, an appropriate material for such a fleeting message. But consider the ink, the trace of the pen – these carry their own weight. Bourcard’s handwriting is elegant, practiced, reflective of the hours spent mastering penmanship. Note the careful curves and consistent pressure, revealing the discipline of calligraphic training. This wasn't just about conveying information; it was about presenting oneself as refined, educated, part of a social class with the leisure time for such pursuits. Calling cards like these were social currency, literally. The exchange of these cards represented a contract, a promise of future interaction. So, while seemingly simple, even disposable, this small card speaks volumes about a particular moment in social history, where grace and skill intersected with economic realities. It reminds us that even the most ephemeral objects are embedded with labor, class, and cultural significance.
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