Miss Salta, from the Actresses series (N203) issued by Wm. S. Kimball & Co. by William S. Kimball & Company

Miss Salta, from the Actresses series (N203) issued by Wm. S. Kimball & Co. 1889

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print, photography

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portrait

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print

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photography

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19th century

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erotic-art

Dimensions: Sheet: 2 5/8 × 1 3/8 in. (6.6 × 3.5 cm)

Copyright: Public Domain

Curator: The sepia tones and somewhat coy expression lend the image a dreamlike quality. Editor: That’s an interesting observation, considering it's an 1889 photograph called "Miss Salta, from the Actresses series (N203)" produced by Wm. S. Kimball & Co. Curator: Yes! I wonder what it was like for her, posing in the studio as Miss Salta for the photographer...she looks to be standing in front of what might be a very big camera while casually holding a cylinder... maybe her powder box. Editor: The "Actresses Series" was essentially collectible trading cards inserted into cigarette packs, so we should really consider this image in the context of 19th century commercial culture. Actresses, athletes, and other popular figures were often featured. It was essentially commodification. Curator: Which in some ways is not dissimilar from today's influencer culture, if you think about it... although there's a slightly melancholic beauty to Miss Salta and that bulky camera... Editor: Absolutely, the context matters, doesn't it? Consider the male gaze in this period, too; images like these weren't necessarily about empowerment. But let's also consider Salta. She might have enjoyed the exposure, using it to gain a wider audience and create agency for herself. We're not merely passive observers here; as viewers of her, we actively create what her image projects. Curator: You’re absolutely right. What secrets lie in that sepia tint, right? I am wondering about those bits of detritus on the ground, underfoot...it looks almost Victorian theatre! Editor: Perhaps the remnants of a forgotten performance. Thinking about how photography changed the performance and entertainment industry, these prints granted wider access, circulating them to a diverse audience. The ability to reproduce and disseminate these images raises fundamental questions about value and viewership, which extend to the debates around authenticity in the age of mass media. Curator: Thank you for highlighting its role within those economies! Editor: Of course. By acknowledging her place within complex structures, we can more deeply understand its legacy, in its own time, as well as its relevance in the present.

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