Wijwaterbak 1659

Jean Lepautre created this etching, “Wijwaterbak,” sometime in the 17th century. The work displays a symmetrical, decorative design intended for a holy water font. The central image is framed by lush foliage, cherubic figures, and cascading water, all rendered with meticulous detail. Lepautre’s composition invites us to consider how ornamental forms can convey meaning. The symmetry lends a sense of balance and order, typical of classical designs, while the intricate details encourage closer inspection. The holy water font is both a functional object and a symbol, embodying a deeper spiritual significance. Consider how the font's design merges the sacred with the aesthetic. Lepautre’s ornamental approach challenges us to reflect on the intersection of art, religion, and the cultural values of his time.