Gezicht op bomen aan de waterkant bij Karlsruhe by Carl Ludwig Frommel

Gezicht op bomen aan de waterkant bij Karlsruhe 1799 - 1863

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print, engraving

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water colours

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ink paper printed

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print

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landscape

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romanticism

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engraving

Dimensions: height 315 mm, width 360 mm

Copyright: Rijks Museum: Open Domain

Carl Ludwig Frommel etched this evocative landscape of Karlsruhe with precision, capturing not just a scene, but a mood. Here, the water, trees, and the subtle light symbolize nature's tranquil yet potent force, a motif echoed through art history. Consider the water's reflective surface; it's a mirror, like the reflective pools found in classical gardens and mythologies. The presence of these symbolic bodies of water spans across cultural boundaries, from ancient Greece to the Renaissance, where they often represent introspection and transformation. In contrast, the encroaching wilderness and dark forest hints at the sublime, embodying the Romantic era’s fascination with nature's overwhelming power. The setting sun, almost a universal symbol, speaks of closure and transition, linking back to centuries of art where light is used to evoke emotional states. This piece reminds us how motifs endure, morph, and resurface, influencing our collective consciousness, and how the power of an image lies not only in its visual elements but in its connection to our deepest emotions.

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