Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi by Fujiwara no Nobuzane

Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi 1200 - 1265

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drawing, paper, ink, pencil

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portrait

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drawing

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asian-art

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figuration

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paper

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ink

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pencil

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men

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calligraphy

Dimensions: Image: 11 3/4 x 7 1/2 in. (29.8 x 19.1 cm) Overall: 57 1/2 x 17 7/8in. (146.1 x 45.4 cm)

Copyright: Public Domain

Editor: This drawing, created by Fujiwara no Nobuzane sometime between 1200 and 1265, is titled "Competition Between Poets of Different Eras (Jidai fudō uta awase), depicting the poet Minamoto no Hitoshi." It’s ink on paper, and quite delicate. The image has a very calm, almost serene feeling despite the fine lines. What stands out to you in this piece? Curator: I see here a work deeply embedded in its means of production. Notice how the drawing itself highlights the labor involved. The delicate ink lines on paper weren’t just about depicting Minamoto no Hitoshi, but about the very act of transcription and artistic skill that elevated calligraphy and drawing at the time. Think about the availability of materials: paper was valuable. Who had access to this? How would that shape the artistic circles creating this? Editor: So the materials and process weren't just a way to create an image, but part of the meaning? Curator: Exactly. The deliberate choices, from the type of ink to the paper itself, reveal the economic and social status associated with both the artist and the patron. The meticulous, almost fragile quality points to a reverence for craftsmanship – challenging any clear-cut separation between ‘high art’ and skilled work. This wasn’t just art, it was a cultural product deeply intertwined with class and labor. Do you think the mass reproducibility of images today shifts the viewer’s focus when viewing older works like this? Editor: That's fascinating, thinking about art this way changes my perspective. With the ease of access to create artworks now, it seems more powerful to study what influenced the work's materiality, like access to resources, skill, and its impact on the original audience. Curator: Precisely! By focusing on these aspects, we can unearth many stories and insights woven into this single drawing. Editor: Definitely a different way of seeing; it adds layers to the art beyond just the aesthetic.

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