Korsfæstelsen by Anonymous

Korsfæstelsen 1568

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print, intaglio, engraving

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medieval

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narrative-art

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print

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intaglio

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figuration

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history-painting

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engraving

Dimensions: 113 mm (height) x 90 mm (width) (bladmaal)

Curator: Here we have a 1568 engraving titled "Korsf\u00e6stelsen," depicting the Crucifixion, which is currently held at the SMK, the National Gallery of Denmark. Editor: What immediately strikes me is the density. Look at the way figures swarm around the central cross. It's claustrophobic, a real tangle of limbs and anguish created by line after incredibly fine line. Curator: Yes, that's a key element of its visual language. The artist seems preoccupied with illustrating humanity’s baseness, so to speak, a departure from earlier iconographies that focused on Christ's divine sacrifice. Editor: Precisely! Notice how the central figure of Christ is actually quite small, compositionally almost swallowed up. And these dynamic lines—observe the angular, almost agitated quality—create an unstable feeling throughout the composition. Even the horizon tilts unsettlingly. Curator: Observe, too, the variety of iconographic signifiers crammed into the scene. The moon symbolizes death; the skull reminds viewers of original sin, the suffering on Earth, and humankind’s ultimate fate; the crowd as a symbol of the earthly turmoil, and the figures, caricatures really, represent the multitude of mankind. Editor: The crosshatching intensifies this sense of turmoil and makes the space feel compressed. Did the artist intend to convey an overwhelming atmosphere? Or a sort of…spiritual violence? Curator: It is intriguing that even the executioners display intense emotional expression in their facial features, signifying that even those fulfilling the act are subjected to a turmoil. It may offer viewers a lens of reflecting on humanity's shared fallibility in carrying out destructive behaviors, emphasizing the lack of divine grace among humanity itself. Editor: Fascinating how a piece employing such controlled technical skill creates such an anarchic visual field. Curator: It certainly encourages a visceral response, a contemplation of suffering and our place in it. A powerful reminder of the enduring stories and their relevance throughout time. Editor: A perfect example of form mirroring content—the chaotic structure conveying a deeply disturbing subject.

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