Tekst bij het grafmonument voor Engelbrecht II, graaf van Nassau-Dillenburg-Breda, 1504 by Anonymous

Tekst bij het grafmonument voor Engelbrecht II, graaf van Nassau-Dillenburg-Breda, 1504 1824 - 1847

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print, paper, typography

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portrait

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print

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paper

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text

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typography

Dimensions: height 202 mm, width 133 mm

Copyright: Rijks Museum: Open Domain

Editor: We’re looking at a print from sometime between 1824 and 1847, titled "Tekst bij het grafmonument voor Engelbrecht II, graaf van Nassau-Dillenburg-Breda, 1504." It’s essentially a page of dense text. I'm struck by how official and almost legal it looks, even though it's about a grave. What do you see when you look at this? Curator: This is a fascinating artifact because it reflects a very specific historical moment of national identity formation intertwined with class and power. The text itself becomes a monument. This proclamation performs power by connecting William I, seen here as the founder of the Dutch state, to the noble lineage of Engelbrecht II. How might understanding this text as a *performance* change how we see it? Editor: Performance in what way? It seems more like an informative document, listing facts. Curator: But is it neutral? Note how it positions the House of Nassau as central to the region’s power for generations *before* William I. By emphasizing the lineage and marital alliances of Engelbrecht, particularly his marriage to Johanna, the text constructs a historical narrative that legitimizes later political structures, including inherited power and wealth. It’s less about historical accuracy, more about crafting a legitimizing myth, don't you think? It tells the history from a certain vantage point that actively includes and excludes in ways that shape future views on who held authority. Editor: I see what you mean. It's less about Engelbrecht as a person, and more about using his name and his lineage to reinforce certain power structures that continued for hundreds of years after his death. The language used almost creates a hallowed feel as one reads the description of the land and people over which Engelbrecht reigned. It almost seems like a warning to not make waves... or something along those lines. Thank you! Curator: Precisely! And that carefully constructed historical narrative can be a powerful tool for solidifying political ideologies. Reflecting on this document’s role helps us unpack those ongoing impacts of political ideologies.

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