print, engraving
baroque
pen sketch
old engraving style
cityscape
engraving
Dimensions: height 280 mm, width 337 mm
Copyright: Rijks Museum: Open Domain
Curator: Look at this, would you? It is entitled “Gezicht op Wenen,” which translates to "View of Vienna," and it’s from sometime after 1711. The piece is an engraving, rendering a birds-eye cityscape in stunning detail. Editor: It certainly is finely wrought. It feels like the etching is meant for mass distribution and sale. I wonder who the audience for this print was. Curator: That’s a fascinating point. This would likely have been a way for people who may never travel to see Vienna, almost a sort of early souvenir, if you will. Editor: The detail given to the skyline implies it was used to promote the might and architectural complexity of the imperial capital, what’s most striking is the variety of mark-making the artist employs to describe the various materials and textures of the city itself, from water, stone, trees and people. Curator: Yes, I see what you mean! The treatment of figures really speaks to the artist's perspective on social strata. The figures are carefully delineated in relation to each other—those in transit and the privileged riding on animals, while others seem to be loitering in groups. The viewer might have seen Vienna's inhabitants more acutely from this perspective. The choice of engraving reflects available technology but also the growing marketplace of printed images that disseminated information far beyond a wealthy elite. Editor: This connects with the urban planning ambitions that drove Vienna's expansion after the Turkish sieges, framing its streets, waterways, and buildings, perhaps the purpose was not just informational but also propagandistic to shape the perceptions of visitors and residents alike. Curator: A fair point. I guess in examining art, history reveals much about how societies and cultures aim to memorialize, idealize, and portray their most vital characteristics and attributes. Editor: Precisely. Art isn't made in a vacuum, it's interwoven in a meshwork of politics, technologies, labor and aspiration. This reminds me of how images often come loaded with ideologies and societal goals.
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