Start of Roundup by Charles M. Russell

Start of Roundup 1898

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painting, plein-air, watercolor

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painting

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plein-air

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landscape

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figuration

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oil painting

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watercolor

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horse

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genre-painting

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history-painting

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academic-art

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watercolor

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realism

Copyright: Public domain

Editor: This is Charles M. Russell's "Start of Roundup," painted in 1898, and it looks like it was made with watercolors and oil. The painting definitely gives off a sense of wide-open spaces, almost like freedom, but there's also a feeling of intense purpose and, maybe, a hint of looming challenge. What can you tell me about what’s going on here? Curator: Well, on the surface, it depicts cowboys initiating a cattle roundup. But to truly interpret this piece, we need to deconstruct the romanticized, often mythologized image of the 'cowboy' within the socio-political context of the late 19th century. Think about what the ‘Wild West’ actually represents: colonial expansion, displacement of indigenous populations, and exploitation of both the land and labor. This seemingly idyllic scene hides a more complicated history. Does considering that context change your initial read? Editor: Definitely. I hadn’t thought about it like that, seeing the painting as a symbol of something a lot more sinister. How much was Russell aware of this history? Curator: Russell, while celebrated for his depictions of the West, participated in and benefited from this historical context, which we should never forget when considering the images he put forth. Even the very act of documenting becomes a political act in this light, don’t you agree? He presents a specific narrative. How do we grapple with the artistry while being critically aware of the history it perpetuates? Editor: That’s… a lot to think about. It changes how I view the artist himself and how the American West is portrayed. I suppose art really is never just art, huh? Curator: Precisely. This painting is more than just an image of cowboys. It is a historical and social artifact reflecting a complicated and often brutal period. The painting’s very beauty makes its message more potent. Understanding art like this is about constant critical analysis, recognizing power dynamics, and questioning established narratives. Editor: I see that. Thanks so much for guiding me to think deeper, I’ll definitely be spending some time processing this!

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