Nueve Días de Luto (Nine Days of Mourning) by Graciela Iturbide

Nueve Días de Luto (Nine Days of Mourning) Possibly 1986 - 1990

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photography, gelatin-silver-print

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portrait

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black and white photography

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photography

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black and white

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gelatin-silver-print

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monochrome photography

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monochrome

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indigenous-americas

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monochrome

Dimensions: image: 22.5 × 15 cm (8 7/8 × 5 7/8 in.) sheet: 25.4 × 20.32 cm (10 × 8 in.)

Copyright: National Gallery of Art: CC0 1.0

Curator: Graciela Iturbide’s "Nueve Días de Luto," potentially captured between 1986 and 1990, is a gelatin silver print that presents us with a powerful image rooted in Mexican tradition. Editor: Immediately striking. The monochromatic palette amplifies the stark stillness. It feels meticulously arranged; the placement of the girl, the flowers, candles—it creates a compelling symmetrical composition. Curator: It is more than just composition. Iturbide often explores themes of identity and cultural ritual. The photograph depicts a young girl amidst funerary decorations, referencing the nine days of mourning practiced in some Indigenous Mexican communities. We must consider the societal implications of representing indigenous mourning rituals. Editor: Absolutely, but look closer: the varying textures within the black and white—the coarse wall versus the soft floral arrangements, for instance. It invites the eye to examine the careful use of light and shadow. It’s structurally complex despite its apparent simplicity. The way light illuminates her face, centering her in the arrangement. Curator: It's a potent representation of grief and resilience, framed within the socio-cultural context of Indigenous communities in Mexico. This image also engages with a tradition of portraying children in ways that relate to cultural death rituals, thereby commenting on cultural inheritance, memory, and the often heavy burdens placed on children. Editor: Still, the photographer's technical prowess can't be overlooked; the crispness of the print accentuates these contrasts, intensifying the somber mood. Without her technical vision, the other elements may get lost. Curator: By connecting formal and contextual understandings, the photograph, becomes a testament to Iturbide's sensitivity. It shows her deep understanding of the social, political, and cultural issues, emphasizing a narrative where Indigenous tradition is honored, rather than erased. Editor: It presents an elegantly constructed study in contrasts that engages viewers to decode it both at its surface level as well as beyond into wider narrative fields. A stark, powerful and intriguing photo. Curator: Indeed, the dialogues embedded in such works call for nuanced interpretations and can further contextualize our understandings.

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