En hyrde med får og geder by J.F. Clemens

En hyrde med får og geder 1778

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Dimensions: 79 mm (height) x 146 mm (width) (plademaal)

Curator: This print, created in 1778, is titled "En hyrde med får og geder" – "A Shepherd with Sheep and Goats." J.F. Clemens employed etching to create this genre scene. The tones feel very gentle, despite being monochrome, don’t they? Editor: It’s the texture that stands out to me; the crisscrossing lines almost give it the feeling of aged linen, which makes the romantic depiction of pastoral life seem almost tangible. I’m immediately drawn to that interplay between labor and tranquility – what could this suggest about the societal view of work in that era? Curator: Considering that Clemens created this print within the context of late 18th-century Denmark, and within the baroque style even, the depiction speaks volumes about societal structures. The shepherd embodies a romanticized notion of rural simplicity which existed uneasily with encroaching urban development. We should consider the class dynamics represented, too. Editor: It makes me think about idealized representations of nature versus its lived realities for so many. This image does lean heavily on certain pastoral tropes. And I notice the framing almost theatricalises the whole scene. How would such stagings impact perceptions of the working class in Denmark at this time? Curator: Absolutely. The theatrical quality reinforces the notion of staged authenticity for an audience perhaps increasingly removed from agrarian life. Looking closer, it may be telling to analyse what isn’t portrayed as well. It lacks the hardships, struggles, the realities that came with shepherding—focusing only on a simplified version for viewers to consume, literally framing the discussion of labor itself. Editor: The decision to highlight serene order can also hint at prevailing notions regarding the power structures underpinning social hierarchies – how would a contemporary viewer engage with that sort of presentation in connection with existing socio-economic structures and inequalities that might be absent in the art itself? Curator: Right! And the artwork can also suggest ways through which existing political frameworks might want to manipulate societal values by influencing representations of labor. A beautiful image, perhaps even sentimental, but one definitely pregnant with social commentary too. Editor: Indeed! A closer inspection pushes beyond surface allure to engage deeper and bring to light critical underlying dimensions regarding labor, privilege, and the function of such representations within complex societal frameworks. Thank you.

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