93. Niijuku Ferry 1857

This is the ‘Niijuku Ferry’ print, made by Utagawa Hiroshige using woodblock printing, a process that highlights the intricate relationship between craft, labor, and artistry. Woodblock printing, or *mokuhanga*, isn’t just about pressing ink onto paper; it’s a meticulous process of carving, inking, and transferring. Each color requires a separate block, demanding precision and skill. The medium itself influences the appearance of the final print, dictating the sharp lines and flat planes of color. The watery scene of travelers seeking passage is made with many hands. The artist would have designed it, of course, but specialized carvers and printers were needed too. This collaborative aspect reflects broader social issues of labor and production, with the division of labor contributing to the artwork's creation. The materials and processes in ‘Niijuku Ferry’ aren’t just means to an end; they’re integral to the artwork's meaning and impact, blurring the boundaries between fine art and craft.