Venice_ View of the Marciana Library, the Campanile and the  Doge’s Palace by Carlo Naya

Venice_ View of the Marciana Library, the Campanile and the Doge’s Palace c. 1875

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Copyright: Public Domain

Carlo Naya captured this photograph of Venice, showcasing the Marciana Library, the Campanile, and the Doge’s Palace. The image encapsulates Venice in the 19th century, a period marked by both its fading political power and its burgeoning status as a romantic destination for the European elite. Naya, working during a time of significant social change and technological advancement, uses photography to capture the timeless beauty of Venice. A gondola glides across the water, offering a glimpse into the city's unique culture. The figures in the boat, likely Venetians, provide a human scale to the grandeur of the architecture. The photograph invites us to reflect on Venice as a site of cultural exchange, where the lives of its residents intersect with the perceptions of visitors. By focusing on iconic landmarks, Naya's image contributed to the construction of Venice as a city of beauty and history, shaping its identity for both locals and tourists alike. It’s a layered image where the personal and the political, the historical and the contemporary, all meet on the shimmering waters of Venice.

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stadelmuseum's Profile Picture
stadelmuseum over 1 year ago

Against the backdrop of the Doge’s Palace on the Piazza San Marco, the gondola glides across the surface of the water, seemingly without a sound. At first sight, what we have before us is a snapshot bearing close resemblance to those taken by present-day visitors to Venice in their effort to capture the special charm of the onetime maritime republic. However, closer inspection reveals that there is nothing at all spontaneous about this image. The two gondoliers merely stage the poses required to propel the vessel forwards. In fact, they are using their oars to hold the gondola in place so that the shot of it will be in focus. Over the course of his long career, Carlo Naya photographed nearly every one of Venice’s architectural landmarks—and thus advanced to become the city’s most prominent chronicler in the second half of the nineteenth century.

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