Elton P. "Ice Box" Chamberlain, Pitcher, St. Louis Browns, from the Old Judge series (N172) for Old Judge Cigarettes 1889
print, photography, albumen-print
portrait
aged paper
toned paper
photo restoration
baseball
photography
men
albumen-print
Dimensions: sheet: 2 11/16 x 1 3/8 in. (6.9 x 3.5 cm)
Copyright: Public Domain
Curator: What strikes you about this baseball card, a turn-of-the-century piece titled "Elton P. 'Ice Box' Chamberlain, Pitcher, St. Louis Browns"? It’s an 1889 albumen print, part of the Old Judge Cigarettes series. Editor: It’s wonderfully aged; there’s such a tangible sense of history. And there's an interesting vulnerability about the portrait, an athlete captured with such subtle expression and poise—it evokes a specific cultural mood. Curator: Indeed. These cards served a very specific social function. They were advertising premiums, included in cigarette packs to encourage brand loyalty. Imagine the impact: images of sporting heroes suddenly circulated amongst the populace, intertwining celebrity with consumer culture. Editor: Exactly! And Chamberlain himself…the image radiates the hyper-masculine ideals pervasive during the time. We have the uniform, of course, and a somewhat steely gaze…but also a surprising element of the performative aspect of identity. Who was this 'Ice Box' figure for baseball fans? Curator: Baseball was fast becoming "America's pastime," central to forging national identity and even social cohesion after the Civil War. This card offered more than just a portrait; it offered an accessible narrative around an athlete, constructed by image and legend. The Old Judge series did quite a bit for that! Editor: It's also compelling how class comes into play. Cigarettes, readily accessible... but baseball then became, perhaps inadvertently, the purview of a consumer culture which ultimately broadened access to this kind of ‘hero worship’ across classes, and, therefore, these very narratives about gender and prowess that baseball enabled. I would really consider class in reading this work. Curator: An astute point. Considering the power dynamics at play—how advertising shapes our perceptions, and how historical figures like Chamberlain were co-opted into promoting consumer products adds another fascinating layer of complexity to an object that might at first glance seem merely nostalgic. Editor: I find myself looking again at this particular intersection of early photography, commerce, sport and the development of idealized masculinity, making these small cards powerful touchstones to revisit our past. Curator: For me, these glimpses into everyday life, viewed through a lens both historical and contemporary, truly remind us of the multilayered role that images, and therefore, art play within our society.
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