The 'Ornithon' or Aviary of Varro 1641

Curator: This engraving by Giacomo Lauro presents "The 'Ornithon' or Aviary of Varro," residing here at the Harvard Art Museums. Editor: It's a curious piece. The stark geometry feels cold, despite the implication of a lush, natural habitat. Curator: Lauro's technique employs precise lines to define the architectural structure. Note the sharp contrast between the shaded areas and the stark white space, creating depth and volume. Editor: The aviary reflects the Roman elite's desire to dominate nature. Varro's aviary was not merely a display, but a symbol of power—commodifying and controlling avian life. Curator: Indeed. The circular structure itself, with its tiered seating, mirrors the design of a Roman amphitheater, subtly suggesting that nature, too, can be staged and observed. Editor: The image reveals a disturbing trend of affluent Romans shaping the environment to suit their desire, regardless of the ethical implications of exploiting non-human beings. Curator: A fascinating insight. The formal elements enhance the engraving's historical context, revealing layers of meaning. Editor: Absolutely. By situating the artwork within its time, we can understand how it continues to influence our perception of power, control, and the environment.