Box #61 by  Lucas Samaras

Box #61 1967

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Dimensions: displayed: 343 x 299 x 483 mm

Copyright: © Lucas Samaras | CC-BY-NC-ND 4.0 DEED, Photo: Tate

Curator: Lucas Samaras' "Box #61" is a striking assemblage piece. The dimensions are roughly 34 by 30 by 48 centimeters. What's your immediate take? Editor: My first impression is…unsettling. The juxtaposition of the miniature scale with the intensely personal imagery creates a feeling of claustrophobia. It almost feels like an encoded memory box. Curator: The materiality is key here. Samaras often used commonplace items in unconventional ways, elevating the everyday into something…else. The beads, pins, and photograph speak volumes about the act of construction. Editor: Indeed! The photograph pierced with pins recalls earlier reliquaries while also feeling violently modern. Is it a representation of pain? Or perhaps Samaras’ attempts at containing his own identity? Curator: It’s both, I think. By using a box, Samaras is invoking the notion of containment but also the idea of preciousness. Think about jewelry boxes, or memory boxes. Editor: The colors are almost playful, yet there's a tension with the interior's darker elements. It is a powerful exploration of self, isn't it? Curator: Absolutely. It makes me consider the artist's labor and how the painstaking process transformed his personal experiences into art. Editor: Seeing it through that lens truly illuminates the symbolic weight of each element. Curator: It certainly does. A box brimming with layers, both literal and metaphorical. Editor: Thanks. I will keep that in mind!

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tate's Profile Picture
tate 7 days ago

http://www.tate.org.uk/art/artworks/samaras-box-61-t07151

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tate's Profile Picture
tate 7 days ago

Inside this box is a photograph of the artist's face with pins stuck at regular intervals along the contours of his cheek, moustache and mouth. According to Samaras ‘the pins are lines, marks and dots, they create a net pattern which gives a strange illusion’. For Samaras, the box represents an equivalent to the human body. He sees making one of his boxes as a series of ‘erotic gestures. In Greece, where I was born, the words for lick and sculpt are the same.’ Gallery label, October 2011