Untitled by Lewis Hine

photography, gelatin-silver-print

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portrait

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photography

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gelatin-silver-print

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ashcan-school

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realism

Dimensions: 4 11/16 x 6 5/8 in. (11.91 x 16.83 cm) (image)5 x 7 in. (12.7 x 17.78 cm) (sheet)

Copyright: No Copyright - United States

Curator: Here we have a gelatin silver print titled "Untitled," dating back to 1909 and created by Lewis Hine. This particular piece resides here at the Minneapolis Institute of Art. What's your initial reaction to it? Editor: Bleak. Utterly bleak. The drab light, those faces… there's a stillness, an unsettling quiet to it, like a memory you can’t quite place but know is laced with sadness. It almost feels like looking into a past that isn't really gone, still whispering at the edges of our present. Curator: It’s worth noting that Hine was deeply involved in documenting social issues, particularly child labor. This photograph is considered part of the Ashcan School, which often depicted scenes of everyday life, especially those of the working class. Editor: Ah, child labor... the kid floating between them makes more sense. It looks like a photo imposed on another one. And you are spot on, a heartbreaking snapshot of the past – the very reason it feels so lingering, like soot under the fingernails of history. That lone fence... a feeling of restriction. Curator: Precisely. Hine used photography as a tool for social reform. He aimed to evoke empathy and prompt change through his images, using his lens to bring attention to injustice and exploitation. Editor: So, it’s not just a pretty picture. It’s a hammer, smashing apathy, isn't it? What strikes me now, is their direct stare - accusing, haunting… making me feel a level of discomfort that well…good! Art that unsettles is art that works. What would happen if nobody stood to talk and document the unspoken? Curator: That's it. Ultimately, Hine understood that imagery held power – power to document, to persuade, and to shape social consciousness, and he did it effectively. Editor: A poignant observation to keep with me. In the quietness, a scream... And now I have more thoughts crowding my mind about exploitation than I had expected from just a simple image. Curator: It's a piece that stays with you. Editor: Exactly. A testament to a powerful, silent, unsettling scream frozen in silver nitrate.

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minneapolisinstituteofart's Profile Picture
minneapolisinstituteofart over 1 year ago

Lewis Hine was a documentary photographer, educator, and social reformer. Trained in sociology, Hine taught at the progressive Ethical Culture School in New York City before turning his attention to photography. As a photographer for the National Child Labor Committee (NCLC), Hine traveled the United States to document children in unsafe working conditions in factories, mines, fields, and city streets. Over ten years, he created an indelible record of the human cost of an exploitative labor market, documenting the tired faces of children at the end of their shifts, or even children mutilated by industrial machinery. These disturbing photographs were used in publications and presentations created by Hine and the NCLC, and ultimately promoted sweeping policy changes designed to protect children.

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