Depoix, Gymnage, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes 1885 - 1891
print, photography
portrait
photography
19th century
Dimensions: Sheet: 2 3/4 x 1 3/8 in. (7 x 3.5 cm)
Copyright: Public Domain
Curator: Looking at the sepia tones, and the ornate details in the actress's clothing, this photograph exudes a nostalgic grace. Editor: Yes, it’s remarkable how much detail is captured considering its small scale. Before us we have a photographic print, specifically a trading card dating from 1885-1891, titled "Depoix, Gymnage, from the Actors and Actresses series (N45, Type 1) for Virginia Brights Cigarettes," made by Allen & Ginter. Curator: The name "Depoix" makes me wonder, who was she? And what does "Gymnage" mean? I find it so captivating how the cigarette brand intertwined performance, artistry, and a certain… exoticism for the everyday consumer. These small cards must have painted such vivid fantasies for people! Editor: The photographic processes used here likely involved albumen prints or similar techniques that produce a range of tones, and that sepia hue lends a real depth to the texture and lighting. I also noticed how her costume emphasizes verticality, almost compressing the figure. What is striking is how a commodity could become a medium for distributing not just an image but also aspirational narratives and symbolic codes relating to theater, fashion, and celebrity, all framed through the branding of Virginia Brights Cigarettes. Curator: Absolutely, this piece invites contemplation about the intersection of societal ideals, particularly related to femininity and spectacle, communicated via everyday commercial ephemera. And the attire worn is not everyday clothing at all, there’s an effort to depict a romantic ‘otherness’. The details in the costume – that ornate headpiece, the rich embellishments – definitely signal the foreign or exotic. It is interesting that cigarettes were packaged this way, given it probably changed cultural aspirations, perceptions and values to some degree. Editor: On reflection, what really stands out to me are the textural gradients at play—the contrast of smooth skin with intricate fabrics and the card's own surface. Considering its commercial nature and age, this print reveals surprisingly sophisticated pictorial sensibilities. Curator: And for me, it serves as a visual bridge linking the realms of commerce, theatrical imagination, and the intricate construction of cultural identity in the late 19th century.
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