"Wait your turn, Monsieur... I had that first." from the Little Miseries of Human Life by J. J. Grandville

"Wait your turn, Monsieur... I had that first." from the Little Miseries of Human Life 1843

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drawing, print, etching

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portrait

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drawing

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print

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etching

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caricature

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romanticism

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genre-painting

Dimensions: Sheet: 11 1/4 × 7 1/2 in. (28.5 × 19 cm)

Copyright: Public Domain

Curator: "Wait your turn, Monsieur... I had that first" is a captivating etching by J.J. Grandville, created in 1843. It resides here at the Metropolitan Museum of Art as part of his "Little Miseries of Human Life" series. Editor: Gosh, the energy is palpable, isn't it? Immediately, I'm struck by the clear tension. You've got this looming figure practically bullying another man seated at the table, with a third bystander caught in the crossfire. Curator: Indeed. The composition, while seemingly simple, is carefully constructed to emphasize the power dynamic. Grandville masterfully uses line and shadow to create depth and imbue the scene with a sense of claustrophobia. Notice how the encroaching figure’s dark coat contrasts with the comparatively lighter garb of the seated man, heightening the visual imbalance of power. Editor: He's totally invading his personal space! I wonder what "that" is? Some vital document, perhaps, triggering this wonderfully overdramatic showdown? Also the hats, the period garb, they conjure up images of secret societies, shady deals made behind closed doors in a dimly lit room. Curator: Perhaps it's merely a newspaper or an article. These illustrations often satirized bourgeois life. Consider the setting: It seems to be a reading room of sorts. It speaks to the intellectual and social circles of the time. The expressions, rendered with a sharp eye for caricature, underscore the inherent absurdity of social posturing and conflict over, maybe, something inconsequential. Editor: Ah, the small dramas of life, elevated to an operatic level! Grandville definitely captured a slice of society. One filled with petty grievances and the theatrics we humans are so prone to indulging in. You see, in the figure on the right a mix of boredom and amusement, he clearly has witnessed all this before! Curator: A cycle of the human condition Grandville captures quite beautifully through the economy of line. What is quite striking is that though we have progressed, some of the scenarios played here, remain pertinent in modern life. Editor: Absolutely! It's a delightful reminder that the ‘miseries of human life,’ despite societal shifts, can be as simple, comical, and perhaps inevitable.

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